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Paul Oakenfold

Paul Oakenfold (born August 30, 1963 in Greenhithe, Kent[1] England) is a world famous DJ and producer, whose works have helped define the mainstream of trance.


Not only does Paul Oakenfold produce records, but he also mixes them. In 1987 he spent several months in Ibiza with a few friends and fell in love with dance club music. Oakenfold produced "Happy Mondays' Pills 'n' Thrills and Bellyaches" before producing for U2, Massive Attack, Simply Red and New Order (to name a few), many of which were released on his label Perfecto Records.

In 1999 after building an American fanbase he released "Tranceport" which was widely accepted by American trance fans.

After "Tranceport" came "Perfecto Presents Another World" which was arguably his most successful album, as it introduced millions more to his style.

His popularity grew as many of his works were inclulded in movie soundtracks such as Swordfish, The Matrix Reloaded, The Matrix Revolutions, Die Another Day (where he remixed the James Bond theme before later going to work on the videogame Goldeneye: Rogue Agent in 2004) and Collateral.

In 2002 he released Bunkka, which featured the hit single 'Starry-Eyed Surprise'. In the same year, Oakenfold was listed in Q's "50 Bands to see Before you Die" compilition.

2004 brought about the double album 'Creamfields', but it was in 2005 that he released the Perfecto Album entitled 'Perfecto Presents The Club'.

He also released the album Great Wall, recorded live at the Great Wall of China.

2006 saw the release of 'A Lively Mind' where he colloborated with, amongst others, Brittany Murphy (for the single Faster Kill Pussycat) and Pharrell Williams. 'A Lively Mind' is an edgier, more club-based album, as opposed to his calmer album Bunkka.


Paul Oakenfold's musical career started from admirably humble beginnings, playing soul and rare groove cuts in a Covent Garden wine bar in the late 'seventies with mate Trevor Fung. By the early 'eighties, having decided that NYC was the place, Paul decamped there armed only with the chutzpah to blag his way into a courier's job in West Harlem. At that time, more than any other, New York was bursting with musical invention: hip-hop was the freshest street sound around, and Larry Levan - arguably the first ever superstar DJ, inspiring a frenzy in the crowd that some guy playing records had never inspired before - was packing out the Paradise Garage every week with the revolutionary, hypnotic mixing style that would become the acid house DJ's stock in trade.

Returning to London, Paul became one of the UK's leading authorities on hip-hop. During his stint as an A&R man for Champion he signed the as-then unknowns Jazzy Jeff and the Fresh Prince, and Salt N'Pepa. Oh yeah, and he appeared on Blue Peter with a breakdancing crew who he was looking after at the time.

In 1985 young Paul spent the summer on a beautiful Balearic island called Ibiza. Ever heard of it? Oakey is as much responsible as anyone for making it the clubber's paradise it is today, as two years after that first trip he, alongside mates Trevor Fung , Nicky Holloway , Ian St Paul , Danny Rampling and Johnny Walker , went there for a week to celebrate his birthday. If the first visit had been good, this one changed their lives forever. Dancing in the warm night air beneath stars at the then open-air Amnesia to the oddest mix of music any of them had ever heard, courtesy of island legend Alfredo, Paul's urge to import this incredible experience - and the Balearic sound - back to England became too great to resist.

Prior to his Ibiza trip, Paul had been running a successful soul/jazz night at The Project in Streatham. On his return from the white island he persuaded the owner to let him run an after-hours 'Ibiza reunion' party. An attempt at a Balearic music policy had failed Paul one year earlier: the crowd just hadn't been ready to hear so many musical styles mixed together in one night, let alone in one DJ's set, but by 1987, and coupled with Paul's sheer enthusiasm and showman's talent for setting a musical mood, attitudes were changing. The night was a complete success, and led to what was to be - alongside Danny Rampling's Shoom - one of London's, and England's, first major acid house nights: Spectrum at Heaven in Charing Cross.

Spectrum grew out of Future, a night held in The Sanctuary, which annexed the much bigger Heaven club. Many never thought Spectrum (suitably subtitled 'Theatre Of Madness') would succeed: a 1500+ capacity club on a Monday night? Forget about it. And at first they looked to be right. For the first few weeks, attendance was low, leaving Paul and co-promoter Ian St Paul in dire financial straits. Then, suddenly, the vibe was out and the queues were literally going around the block. And a new phase in club culture had begun.

Spectrum continued for a couple of years, changing its name along the way to Land Of Oz. New initiates to the scene (as almost everybody was) marvelled at the full-on atmosphere of the place: hands reaching up into the sweat hazed air, laser lights pulsing and washing over the smiling crowd. Alex Paterson (later of The Orb) DJed in the VIP chillout area (the White Room), while Paul created his now trademark fervour in the cavernous main room.

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